Experiencing the heart and mind of a
suicided murderer, Does the Moon Ever
Shine in Heaven? gives voice to a
killer’s disturbing passage through the Bardo Plane. According to the Tibetan Book of the Dead, the Bardo is the
existential phase between death and re-birth where the soul confronts itself,
trying to stave off its karmic pressure by confronting the active contents of
its mind. Here, the narrator must go beyond the rage that would destroy him and
everything else it can. The narrative voice must annihilate itself to make
irrelevant that American way of life it once perceived as a legitimate
provocation to violence. The narrator’s rage, at one point taking the form of Ayn Rand, chomps away at itself with the same ferocity
as the bullets he fired. The perceived universe—a syzygy with the voices of Al Pacino as animus and Diane Sawyer as anima—sounds hugely compassionate,
allowing for a kind of redemption beyond morality, where language itself
carries the soul into the beauty and love it’s always wanted…Really.
*****
Does the
Moon Ever Shine In Heaven? invaded my dreams…I loved trying to figure out how Richardson
did that…it's the first thing I've read in a long time that kept me tripping
over myself at every moment in the best of ways. At a technical level, I'm
amazed at the way Richardson was able to narratively stay in an
"interior" space like that without letting everything slide into
stultifying abstraction. You know what I mean: when a person tells you about a
dream in great detail—it's usually captivating for about three seconds. What I
love is the way [Richardson] generates fluctuating levels of diction and
cultural reference that produce a constant pressure of confluence. I find
myself thinking of Dante in Hoboken—or of a prayer wheel being set out in a hurricane.
Italo Calvino gets some of this effect in his books of stories Cosmic Comics and T-Zero, and I'm also reminded of
Rabelais's Gargantua and Pantagruel…Daryl Scroggins, author of This Is Not the Way We Came In and Winter Investments
In Does
the Moon Ever Shine in Heaven? Chuck Richardson sends Dostoekvsky's Notes
From Underground into the information age: angst goes surreal, beyond
identity, meets pop culture in the form of Captain Beefheart, Diane Sawyer, Ayn
Ran, Michael Corleone and the beat goes on. A rampaging rip of a book that
throws all expectation out the window—including normality itself. If you can handle
the raucousness Richardson throws your way, you will laugh out loud. I did.
Jefferson Hansen is the author of a book of poetry,
Jazz Forms (Blue Lion), plus a novel ...and beefheart saved craig (BlazeVox).
He edits http://thealteredscale.blogspot.com/. *****
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