Chuck Richardson: Myth & Theory: Babbling, Procrastination & Babel

Friday, March 27, 2009

Myth & Theory: Babbling, Procrastination & Babel

First, the procrastination. This week has been one of fiddle farting and might be characterized by this "poem."

Note: I consider myself no poet, but...

The way this works is as you click on each stanza you'll go to a wordle cloud. Then when you return to the poem, the part you've read will have disappeared. And each wordle word cloud gets smaller with each ensuing stanza.

It also seems each word cloud might be another poem randomly generated from the remnant stanzas.

Of course this is stupid and duh. But I'm procrastinating...farting around rather than writing my novel…

This may also be a humorous poem, intended as a joke [perhaps validating the intentional fallacy, making Wimsatt rather Beardsley]. For instance, "Myskin" seems a proper noun and in its context, seems an event. “Meta-For” and “Odd-Appeal” are perhaps the proper names of people.

Or not.

What a waste of time, or was/is it? I don't know. You decide...

Propersubjects/Impropernouns

Word/Wound de Meta-For sutures Odd-Appeal during Myskin, sweating Inside-Out

vibrating like This the Simile sewing Its scattered Black Hole Ashes, blowing Saturated Trombone

awareness as Onset de Mew-Tate Offspring stitching Redundant Emergencies, perverting Chaos into Arabesque Patterns of Itits Loving

regardless of Him Orher

*****

Poet and BlazeVox[books] publisher Geoffrey Gatza informed me at last weekend’s wildly successful Buffalo Small Press Bookfair that the cover of my novel, Smoke, which he designed, is a photograph!

This blew my mind as I was certain it was a work from Photoshop. It turns out he’s a sharpshooter and shot a series of photos of “Cloud Gate” by British artist Anish Kapoor in Chicago’s Millennium Park while attending the AWP conference in February.

Here are the links to these amazing pictures:

http://picasaweb.google.com/ggatza/AWP2009#5303467281626059714

And here is the whole set of images around it. They start about half way down:

http://picasaweb.google.com/ggatza/AWP2009#

My favorite:

http://picasaweb.google.com/ggatza/AWP2009#5303472397146743506

These photos remind me of my limited understanding of M-Theory, which is related to string theory. M-theory states the big bang was actually the membranes of two universes colliding. The sparks from that collision and ensuing friction seams the observable matter of this universe or dimension. All we perceive and reflect-project-express—among them language and art—seems to seam reflections on this membrane, or brane as some pros may have it. So appearances change as we and "others" move through space time [consider Escher].

Gatza’s photos of Kapoor’s work seems to me a representation of mind-matter-energy in motion...a river-like progression projecting/reflecting cognitive material energy confronting space-time and scooping out portions of it with a camera lens.

And one of these spoonfuls made the cover for my novel.

For more info see:

http://www.millenniumpark.org/artandarchitecture/cloud_gate.html

"What I wanted to do in Millennium Park is make something that would engage the Chicago skyline…so that one will see the clouds kind of floating in, with those very tall buildings reflected in the work. And then, since it is in the form of a gate, the participant, the viewer, will be able to enter into this very deep chamber that does, in a way, the same thing to one's reflection as the exterior of the piece is doing to the reflection of the city around."

-Anish Kapoor

http://en.wikipedia.org/wiki/Anish_Kapoor

An excerpt from Kapoor’s Wikipedia article:

"Kapoor's pieces are frequently simple, curved forms, usually monochromatic and brightly coloured. Most often, the intention is to engage the viewer, evoking mystery through the works' dark cavities, awe through their size and simple beauty, tactility through their inviting surfaces and fascination through their reflective facades. His early pieces rely on powder pigment to cover the works and the floor around them. This practice was inspired by the mounds of brightly coloured pigment in the markets and temples of India. His later works are made of solid, quarried stone, many of which have carved apertures and cavities, often alluding to, and playing with, dualities (earth-sky, matter-spirit, lightness-darkness, visible-invisible, conscious-unconscious, male-female and body-mind). His most recent works are mirror-like, reflecting or distorting the viewer and surroundings.

"When asked if engagement with people and places is the key to successful public art, Kapoor said, 'I’m thinking about the mythical wonders of the world, the Hanging Gardens of Babylon and the Tower of Babel. It’s as if the collective will comes up with something that has resonance on an individual level and so becomes mythic. I can claim to take that as a model for a way of thinking. Art can do it, and I’m going to have a damn good go. I want to occupy the territory, but the territory is an idea and a way of thinking as much as a context that generates objects.[1]'"

No comments:

What some have said:

Praise for So It Seams

“Chuck Richardson is a master craftsman whose magnificent, long, looping sentences, in their whipping and flitting about, present a world populated by obsessive characters whose absurd deeds never seem to end. You will meet a dog named Certitude and an environmental activist named Irena-Delores Farfrankenheirmerzen-Dauphinheifer; Jesus Segundo, a member of a street gang, and Aunt Elizabeth Bullfinch who owns too much stuff for your own good; and many, many more. What's more, it all happens within a narrative of extraordinary energy. Dear reader, you're in for a treat.”

--Jefferson Hansen, author of Beefheart Saved Craig

“Chuck Richardson is a necessary American writer: Kafka’s disturbed humor; postmodern esemplastic axes and paradoxes; Taoist humility of Hindu-Buddhist warfare mentality; Black Elk’s quest for his siblings; Castaneda’s sexual appeal; the grotesque Thomism of Flannery O’Connor; Marquez; Grace Paley; A.P.E.S. and quantum physics and a healthy dose of gastronomic preference; a nuclear-sonar-tech-turned-journalist-bracketing Buffalo and Greenpeace, the range of Chuck Richardson astounds me. In So It Seams, his second novel, an unidentifiable ‘interstellar medium,’ or ‘Ism,’ looms over the fate of the Onunghorreatawatawama, a local river we could never pronounce. The motion of the text is centrifugal, its voyeurs anticipating the arrival of things within the sprawling hallucinations and machinations of individual or collective memories, ripened in the bathrooms of unfolding constellations and recorded for TV. Reader, we’re under the microscope, and there's so much more to this book. Cheers, to It.”

--Jared Schickling, author of O

Praise for Smoke:

"...These hallucinatory acts performed by metafictive narrators in the name of solving a state-manufactured mystery may not enlighten Smoke's psychically crippled characters, but they do give the reader a good deal of narrative pleasure. We profit from Smoke's uncontained, comic dystopia--part X-Files, part Fear and Loathing in Las Vegas, part Franz Kafka, part Philip K. Dick, part Three Stooges."

--Robert Glick, American Book Review, March-April 2010

"Smoke is actually a pleasure to read. OK, so every question is not answered; so truisms and false-isms are liberally mixed producing a powerful concoction of literary speculation on our modern politics, authorial deceit, and epistemological yearning, but I’d be more than happy to order another round. Smoke is more than “speculative” fiction in the traditional senses as applied to highbrow literature and science fiction respectively. It’s a fine read that compels even as it disturbs, compels because it disturbs, which, in a sense, is how life is, if not ought be, ultimately lived."

--Bennett Lovett-Graff, "Smoke & Mirrors," New Haven Review

"Chuck Richardson's Smoke probes human existence by pursuing truth and meaning in an unknowable, inexpressible universe, much like the author-ities. What makes Smoke fascinating is the imaginary catastrophe lurking behind it, which leaves us to invent and imagine the world anew."

—Raymond Federman, author of Take It or Leave It, and Double or Nothing

Excerpt from So It Seams

17.

The best idea any of my teams’ve been able to come up with, thus far, Gerald, and I do believe other ideas, equally adequate, are forthcoming, no matter how tangentially, or vicarious their connections may seem to be from this, I mean our, perspective…

Spit it out, Carlos. Jesus Christ. Goddamnit. Speak man.

Macondo and Good, sitting in their office, gaze over a gloomy quad.

It appears to be a renegade bubble mysteriously percolated from the Interstellar Medium.

What?

A bubble of interstellar medium, most likely ninety percent hydrogen and ten percent helium, mostly Hindenberg with a pinch of...

What?

The conflagrating zeppelin…

Good can’t believe his ears.

Go on.

It appears to be coming to an end, and we Earthlings will perhaps have a role to play in its final event, if Team D’s calculations are correct.

What is it?

An ISM-UFO. An unidentified bubble of interstellar medium. For brevity’s sake I shall refer to it as an Ism, which I view as a membrane with recursive symmetries across type. Only one percent of it appears solid, and that seems mostly dust with trace amounts of certain metals. Before it became a gaseous bubble infiltrating the solar system it may have existed as an undifferentiated aspect of the Interstellar Media, which is to say it functioned as an intermediate scale between the stellar and galactic scales. It might have been the very stuff connecting star systems within their given galaxies. Comprende? It could have served as the heaven’s fascia, which was somehow torn making this seem some bubble of its blood—90 percent hydrogen, 10 percent helium; 99 percent gas and one percent dust with traces of heavy metal, which explains, perhaps, its apparent solidity from our perspective. Stars physically interact with the Ism. Stellar winds form young clusters of stars and shock waves created by supernovae inject enormous amounts of energy into their surroundings, which leads to hypersonic turbulence—bubbles and super-bubbles of hot gas. The sun is passing through the local interstellar cloud, a denser region in the low-density local bubble. The interstellar medium begins, Gerald, where the interplanetary medium of the solar system ends. The solar wind slows to subsonic velocities at the termination shock, 90—100 astronomical units from the sun. In the region beyond the termination shock, called the heliosheath, interstellar matter interacts with the solar wind. Ism is vital due to its transitional function between stellar and galactic scales.

Great. So what’re we gonna do about it? Tell me something I don’t know. I’m not a school child.

Do about it? That you don’t know? You’re not a child?

How are we going to save the Earth from it?

Well, the Ism seams a feedback loop between the sun and Milky Way. You might look at it as our solar system’s skin. We exist on a scale geared toward the sun being the center of everything that’s moving. This bubble of Ism, or chunk of cosmic skin, is like a virus or germ infecting us from elsewhere, partially existent on at least one other scale. These intrusions are common, especially as subatomic particles, and of course they’re usually benign. However, uncommon forms of injection can cause damage disproportionate to the actual mass and energy—that is shock and awe—of the inoculation. These must be neutralized.

But Carlos, how do we know it was intentional…I mean, injected implies…I mean doesn’t it…is that appropriate…attributing God, I presume, bringing you this bubble intended by…

By whom, Gerald? Who could have intended this Ism?

Just because we can assume or do something doesn’t mean we should assume or do anything, right Carlos?

But if this were actually a case in which we really couldn’t do anything, Gerald, wouldn’t it really be one we actually wished we could, hmmm?

Indeed. They might have miscalculated the interstellar fault line. Error may indeed be a multi-dimensional recurrence, cosmic and local. If it is an error we must treat it like all other unintended phenomena, am I right Carlos?

Senor?

Yes, of course, Carlos! Of course, now might be its time. Everything must end. The bubble must burst the dam must break my heart must give no doubt now is the time. We’ve entered our common event horizon as Earthlings, as animals and primates, as human beings, as God’s children, strangely attracted into this event horizon, our time, only to be pulled apart by the ever-increasing gravity of our ever-increasing proximity to the void, that black hole sucking us all elsewhere. There’s no such thing as a last day for anything. Life like love abides!

Senor? Ah, these fucking gringos…Kierkegaard at the apocalypse…Senor! Team C is informing me that the Ism’s energy seems to be a liberated fireball, if you will, of the interstellar electromagnetic radiation field, or Irf. Isms and Irfs working together make the UFO something analogous, perhaps, to a hurricane, dynamically speaking, of course. Senor? Electromagnetic Ism?

So, what you’re saying, says Good, as Macondo looks off, is if it’s analogous to a hurricane it’s analogous to the weather, what it’s doing outside, the interspace media, another Ism dealing with the fluctuating flowing humidities and air pressures among the micro- and macro-climates, eh? Its energy, rather than being electromagnetic radiation, is the air pressure defining any given space, which we call weather, which is actually a front, a membrane between two kinds of weather? Or it could also be analogous to how Nature goes? What we might call the intersystem media, or another Ism, being the pervasive water and atmosphere about the planetary body: the mind matter energy coursing through its organs among its organisms? The Ism informs our intersystemic water and atmosphere forming a membrane that joins and distinguishes itself from the existing external and internal Ism comprising it. Calories, in the form of Death, are equivalent to desire in the form of Life…

Senor! Dr. Good! Gerald, Jesus Cristos! Team G has alerted me to another useful analogy. Of course, every analogy is useful in that it helps us imagine a response, what to do, right Geraldo? Gerald?

Yes, Carlos. I’m with you. Team G. What’d they say?

Well, as long as we’re in the vain of this thing being a chaotic system, then, perhaps, in what some call laissez-faire capitalism: the inter-saleable media are the currencies and exchange rates pervading the global marketplace: the financial manipulations, supply and demand existent among traders. The Ism creates currencies and exchange rates, forming hard and soft ideologies that enrich the rich and control the poor the Ism targets. The wealth, in the form of Credit, is equivalent to greed in the form of Profit. And, also, in politics: the inter-societal media are the propaganda and education apparatuses pervading the status quo or power structure of society: the entertaining spectacles, violence and selfishness at work among people. The Ism propagates disinformation, creating hatreds and delusions that enrich the greedy and well-placed while pacifying the rest who are poorly positioned to adequately control their own lives. Power, in the form of an apparently democratically elected leadership, is equivalent to totalitarianism in the form of happy pursuits.

Good, catching on and contributing: and so, the human psyche—the inter-stitial media are the sentience and natural laws pervading one’s awareness of the world: one’s loves, hatreds, disinterest, fascination, obsession, abhorrence—the desire informing the way one constructs external reality in their mind. The Ism creates greed, delusion and hatred and the simultaneous awareness that these desires are wrong and violate a seemingly ineffable morality. Desire, in the form of one’s perceived external reality and internal feelings, is equivalent to the detachment necessary to survive their frustration and loss.

Macondo, cutting him off, science—the inter-skill methodology—seems the objective process informing useful and productive thought for the sake of useful and productive thinking: medicine, physics, chemistry—the means of improving human life in measurable terms. The Ism necessitates objective observation, the formation of hypotheses, rational means of testing the factuality of hypotheses, objectively analyzing the results, constructing theories that predict future behaviors, which are then objectively observed, rational hypotheses formed, etc. Knowledge, in the quantifiable form of peer-reviewed inter-related facts, is equivalent to the irrational peer-reviewed fact that nothing can ever be actually rationalized or rationally peer-reviewed and all attempts at such quantifications that quantify the qualities of precise peer-reviews are qualifiably absurd peers reviewed irrationally, perhaps implying certain inverse…

Carlos! Good shakes his arm. I got another analogy: War. The inter-sector mayhem seams the hatred and violence pervading one’s attempted domination of and dominion over one’s own world: invasion, conquest, empire, freedom, justice, victory, glory—the need to be number one. The Ism begets itself, as one invades and gets invaded, conquers and is conquered, enslaves and gets imprisoned, gets revenge and pays a blood price, wins and loses, is proud then shamed. Violence, Death’s kinetic energy, is equivalent to love’s potential—Life’s latent rebound.

Gerald, if that’s true we must also consider, perhaps, superstition: the inter-sacred media are the ritual behaviors supported by holy books pervading one’s distress over all the above: the facts that the universe is vast and frightening, storm clouds seem always lurking on the horizon, the Earth is alive and dominant over you, both the lack and abundance of money are corrupting, the pursuit of happiness does not lead to happiness, caring is painful, one can never actually know what one knows is true or not, violence lurks behind every bush in its potential randomness. Fear, demonic kinesis, requires a comforting ISM, allowing for an escape equivalent to the terror one must face. One need’s faith in something holy as much as one has faith in the existence of something evil…

None of these Isms seem moderate, yet they seam middle ways, uncannily or not, suggests Dr. Good, seeming to snap out of his reverie.

The Ism is turbulent, agrees Macondo, focusing once again upon the task at hand, the task of saving the Earth. The Ism is turbulent and therefore full of structure on all spatial scales.

Indeed, says Good. The Ism, as we’re imagining it, is usually far out of thermodynamic equilibrium, and therefore necessarily brutal and frictive, making the sparks fly, you might say…

I think…I think, replies Macondo, how it—I mean that Ism debris—had achieved orbit—revolution and bull markets—and maintained it for billions of years undisturbed—spectacular feedback loops producing satiation if not satisfaction…Ism debris achieves critical mass via revolution and bull markets, evolving cognitive feedback loops whose emergent spectacles necessarily seam absurdity…

Good thinks of “von Braun:” He seems so cool.

So, the Earth just happens to be in the Ism’s way, says Good.

And will therefore change, adds Macondo.

But you must never tell anyone, interrupts “William Shatner,” or someone who looks remarkably like him, who has entered their office unnoticed. He seems accompanied by an older black man with a marked limp, who reminds the good doctors of “OJ Simpson.” He’s carrying a weapon of some sort, which seems, perhaps, aimed at them.

You must never tell anyone how things are about to change. They have no need to know, and even if they did, what could they possibly do about it?

“Shatner” seems cocky with “OJ” over his shoulder. The doctors look unimpressed. They wonder if they’ve once again become unwitting parties to another psychotropic experiment by the boys over at the pharmacy school. What’d they put in the coffee this time? Do they really think intimidation will help them think outside the box?

Who are you working for? Macondo asks.

It’s a state of germ emergency you fool, says “OJ.”

Smoke: Chapter 1

1.

Linda knew the interrogation would clear things up. Earlier, in the van, she had protested as she was strip-searched, but the agents were so polite and apologetic that they overcame the fact that some potholes were making for a series of blunders with the speculum.

All they needed, they said, was proof she was a good citizen. Understanding the necessity of this degradation made it bearable.

Since the incident, the Agency expected every citizen to put up with certain inconveniences—some more than others—until the crisis passed.

She noticed the rain had stopped. Had it been three weeks? Raymond played his piano, coughing all over the keys, haunting the road’s centerline. What if he were seriously ill? What kind of mother was she?

The trip was nothing, as usual, a quick jaunt south of town into the foothills where she pulled down the usual, unmarked road up the side of a weathered mountain, slithering between birch and beech stands, then two-needle pine. The road seemed to end at a honeysuckle-splattered hedgerow, but as she approached, it gave way, revealing a tunnel.

She touched the brakes entering the tube, which descended about a quarter mile at a thirty-degree angle with her vehicle’s headlights being the only illumination. Others might have found this journey claustrophobic, but she was used to it. It was during the uphill drive, on her way home to Raymond and light, that she felt uneasy. The bottom of the tube appeared, as usual, with the appearance of a dim pink light outlining a portal that vanished, a parking lot materializing in its place. Slowing, she parked in the usual spot.

The elevator doors on the far side of the garage opened as her toe touched pavement, and as she approached them, a voice on the intercom said:

Good morning, 8P5, you have two persons of interest today. Their dossiers are in your in-box. You have one message, from 6R9:

Hey P, just letting you know I’ve got a hot one this morning. We’ll compare notes at lunch. Level 1 or 2? Text me.

No other messages. Would you like me to repeat that?

No.

OK then.

Is anything on my schedule besides the interrogations? Have I made any special notes to myself?

No.

OK. Nothing else then.

Very well. God bless our Tribal Agency…God bless our Tribal Agency.

Yes, yes. God bless The Agency.

She entered the elevator, eyeing the security camera as she began her ascent into the mountain. She could see her unflattering reflection in the lens. Feeling groggy, she wouldn’t be fully awake until she’d drank two more cups of coffee and smoked the day’s only cigarette. She can never wake up without help. She hoped she wasn’t sick like Raymond, and felt guilty for setting him loose on the world.

The doors parted, exposing a large, well-lit yet empty office. 8P5 sauntered between two rows of desks to the last one at the far end of the room where she began pawing files and papers from her in-box, and read the name Jonah Carson on the top dossier. Carson was committed for an unspecified psychotic breakdown that had resulted in a baby’s disappearance. He also had regular contact with another person of interest, especially during his breakdown. It was likely he would reveal something if charmed, or so his profile said. Carson, transferred from the county hospital late last night, was coming out of sedation. The Agency told him he was in the discharge unit in the hospital basement. He would be going home today, they told him. She would question him in the lounge, posing as another patient.

The side door slid open when the van stopped, and Linda once again found herself in an underground parking ramp. She had tried to figure out where they were going after her arrest, but when the bouncy cavity search began, she lost track of their direction. She assumed they were underground because the van went downward quite a distance before stopping. She noticed there was only one other vehicle—a dark, late model sedan, a Chevy Impala perhaps—parked in the lot. As the elevator doors parted, Linda shuddered and was escorted in. When the doors re-opened some distance below, the squad veered right, marching down a narrow corridor to a door that opened, like the elevator, as they neared the end of the hall.

Leading Linda inside, they plunked her into a chair and, removing her handcuffs, gave her a can of Coke. Then they left, turning out the light before locking the door behind them. She was alone in the dark, somewhere deep underground in an undisclosed location, deposited there by seemingly friendly, hooded agents who gave her an ice-cold can of Coca-Cola.

Though her lower orifices were somewhat sore from the search, the darkness proved kind. She closed her eyes, feeling her invaded space to be just that…space. She wasn’t in there, but elsewhere, a loyalist, a good wife, loving mother, hard worker. Linda paid taxes. Prayed for the warrior society. Supported the struggle. They were being nice to her. They were doing what was necessary to protect The Tribe. Her body was born into that nation, of the people, and The Agency claimed sovereignty over it. All the claims The Agency made regarding her person proved its right to eminent domain over her flesh. If her incarceration weren’t enough evidence, the death penalty proved it, or so she thought.

Time passed, but nothing moved. In the stillness, Linda began imagining the outlines of things in the room. Were they real?

The lights came on. The door swung open, and two hooded women dressed in dark business suits entered the room.

Disrobe. Take off all your clothes, said the short one.

Please, said the taller one, who sounded older.

Linda took off her clothes and the short agent threw them in a paper shopping bag while the tall one listed them into a logbook. Linda looked around to see what clothes they were going to make her wear, but didn’t see any. Then, as abruptly as they arrived they left, turning out the light, leaving Linda standing, alone and naked. Then the whir and caress of air conditioning to her right, and the snap crackle of a heat vent blowing to her left made her feel anxious. She finished the Coke, in an effort to calm herself, but the last sip was warm and flat. She began sweating, her imagination shutting down, leaving her to feel a dreadful tingle of something that was far, far away.

Avoiding the clash of hot and cold air, Linda folded herself onto the heated floor tiles, praying…

Jonah sat in an overstuffed green armchair next to a plastic dieffenbachia plant. His feet were propped on a dark, wooden coffee table, crossed at the ankles. She, like Jonah, was wearing a terry cloth robe over her hospital gown as she shuffled into the room.

Good morning, said Jonah, smiling.

Without thinking, she responded: I don’t think I’m happy anymore.

Smiling back, she couldn’t help but feel this act was routine.

What’s wrong? said Jonah, looking concerned.

They’re letting me out today, but I have no place to go, she said.

She sat on the sofa across from Jonah, crossing her legs at the knees, twirling her ankle in the air.

You got a smoke? she yawned.

I don’t smoke.

Good for you. What they get you for?

I went kaput. Thought I was somebody and something I wasn’t. Got all worked up and shit and I guess somebody got hurt. I’m better now. They’re letting me go today, too. What happened to you?

It’s a long story. Did they ask you all sorts of fucked up questions?

Only about my daughter, the person who got hurt. They were necessary questions.

How’s your daughter?

Nobody knows. They can’t find her.

How old is she?

Nine months.

That’s terrible. I lost a baby once. I was involved with the wrong people. How about you?

Jonah straightened in his chair, hair rising on his neck.

What do you mean the wrong people?

I was hanging out with a bunch of crack dealers. One day I woke up and my baby was gone. That’s when all this shit started. Were you hanging out with crackheads?

No. Actors and temps.

Even worse.

Jonah laughed. She pulled two cigarettes from her robe pocket, offered one to Jonah, who took it. She lit her cigarette then his and pulled up her gown to expose her thigh. Jonah felt her eyes, as he took a long drag looking at her fine, meaty gam…

Our Father, who art in heaven
Hallowed be thy name…

The words that always followed did not flow into her mind. Linda had to repeat the lines twice before she was able to silence herself and remember:

Thy kingdom come, thy will be done
On Earth as it is in heaven.

It took more effort now to squeeze the noise from her mind, to quiet it, put it back in prayer mode…to keep it there unquestioning:

Give us this day our daily bread
And forgive us our trespasses
As we forgive those who trespass against us

Linda found concentrating under these circumstances a daunting task. Was the floor growing warmer? The air conditioning and heat duct had grown silent. She rose from the floor and groped for the chair. Finding it, she sat down and marveled at how warm the seat was relative to the backrest, which seemed cold in comparison. Panic illuminated the room…Linda remembered.

And lead us not into temptation,
But deliver us from evil,
For thine is the kingdom,
And the power,
And the glory,
Forever and ever.
That’s a long time.
Amen.

Indeed. She fell asleep until the sound of the door opening awakened her. Light pressed her eyes. The two guards who stripped her were present, along with a small yet stocky man who, rather than wearing a hood, wore a Richard Nixon mask. A fourth person, wearing Rosemary Woods, entered the room pushing a cart, upon which appeared to be very thin, transparent wires and several strange mechanisms. Between the wires and mechanisms lay seven hypodermic needles, or so it seemed.

The short woman got down on her knees and applied ankle straps, fastening Linda to the chair. Rosemary Woods flipped a switch on the wall and the chair began straightening itself, Linda rising with it. The woman who clasped her ankles did the same to her wrists as the tall woman heightened the backrest up to her head. She then put a strap around Linda’s torso at the shoulders. Meanwhile, Nixon and his secretary prepared the enigmatic apparatus for operation, threading the razor thin wires through diverse orifices in their apparently plastic bodies.

Relax. You’re not going to feel a thing, said the tall one, whispering in her ear from behind.

Well, you might, but it won’t hurt too much, said the shorter one, a dark eye twinkling under her hood.

President Nixon gestured for Linda’s handlers to leave the room. The friendly banter was over. He approached her, and when he looked up into her eyes, she felt a surge of recognition, or déjà vu. Rosemary Woods, meanwhile, pushed the cart with the needles and wired mechanisms to his side.

I’m not a crook, said Nixon, reaching for one of the needles.

The people have a right to know, he said, threading one of the wires protruding from the nearest mechanism through the needle, that their President is not a crook. But the Jews are damn near running the whole shebang.

He disappeared behind Linda, who felt Nixon’s fingers spreading her ass cheeks, exposed by a gap in the chair. Her body stiffened.

Relax. You won’t feel a thing if you relax. The more you fight it, the more you’ll feel it. What I’m doing to you is no different from what I do to Liddy every day just for the hell of it. He loves it.

Linda felt the tip of the needle against her anus, and through sheer force of will forced her body to relax. Resistance was pointless. No sooner had she accomplished this than Nixon was once again standing in front of her and looking into her eyes.

We’re going to bomb the bastards into submission. The goddamned fucking traitors here at home will just have to live with it. I know who they are.

Who are you? Linda asked.

Pipe down, be-utch! shouted Nixon, who then squatted, performing the same procedure to Linda’s pussy he’d performed on her anus. Now, her body tensed, and she felt the needle slithering a wire up her cervix, stopping whereabouts she imagined her womb might be.

We need to get all the bastards. The Jews, the niggers, the communists, the rat bastard hippies and other terrorists. We’re gonna do what’s necessary to win. I’ve got a list of enemies and dirt on all of them. This is how I got it.

Nixon, injecting a wire into Linda’s navel, leaned his plastic forehead against her cold, sweaty breast. She noticed the instrument the wire was attached to glowing pale yellow, and the mechanism attached to her pussy was a pallid, pulsating orange. The one linked to her anus was a steady yet pasty red, or pink. Rosemary Woods tapped the orange device, as if erasing something with her middle finger, steadying the contraption’s gleam.

We’re going to save this country, but the cure’s going to hurt. Change is always painful. The good guys are going to win, said Nixon, needling a wire in an upward trajectory from below Linda’s sternum.

The gadget it was attached to lit green.

We need to find out who’s for us and who’s against us. Certain tests must be made. We’ll find out what you love, what you’re devoted to, what you feel for, and what it is you would heal in the world, then sculpt you from there.

He was no longer Nixon, but once again whoever he was beneath his mask. Linda found herself relaxing even more as the short, stocky man inserted a wire into her throat near her voice box. The implement attached to that wire lit icy blue.

We must find out if you’re worthy of free speech, or not. Most aren’t. C’est la vie, he said, injecting a wire up Linda’s nose, where she felt it take root in the roof of her nasal cavity. Its contraption lit royal blue.

But those who are worthy always seem to have an intuitive sense. We can act with a certain foresight, and exercise free speech out of necessity.

Finally, he grasped the last needle, climbed atop a stool that Linda hadn’t noticed before, and inserted a wire under her scalp.

And when we’re aware enough to act with a certain degree of perspective and intuition that proves accurate and constructive to our experience of life, we find ourselves connected to the divine. Only those who are truly connected to the divine have a right to free speech and power.

This last mechanism lit violet. Linda watched as the man stepped down from the stool and, with the help of his assistant, attached the seven doohickeys, whose lights extinguished one-by-one as they integrated into a single apparatus. Once finished, Nixon and Woods left the room, turning out the lights and locking the door behind them, leaving Linda alone again and in the dark, still naked, except now unable to move and feeling her anxiety was no longer hers alone.

Seeking detachment, her mind journeyed elsewhere…

As the elevator doors parted, 8P5 tiptoed into the constricted hallway. This level made her uneasy, and the door at the end of the corridor to her right was, as always, ominous. Her anxiety grew until she opened the door and turned on the lights.

Bon jour, she said, stirring Linda from an awkward, fitful sleep as she turned on the apparatus Nixon had prepared.

Or, should I say Buenos dias? said the agent, now extinguishing the lights, making the room smolder with the equipment’s illuminated string.

Violet light filled the room as Linda opened her eyes and saw the agent, a petite Semitic-looking woman in a loose-fitting navy blue business suit. She was attractive, not overwhelming like the others. Perhaps being unhooded contributed to that feeling.

Now the room’s light evolved from violet to yellow, passing first through royal and ice blue then green, each color bleeding into the next, fuzzing the passage of time.

Linda became nervous when the agent did not seem surprised by this dynamic rainbow. The fact the room was now a strengthening vortex of spectral luminosity heightened her concern, while the agent’s amusement grew.

Who are you? What’s this about? Linda said.

8P5. And I can’t tell you what this is about, she said, smiling and choking down laughter. That’s what I’m hoping you’ll tell me. You could help Jonah.

You know Jonah? said Linda, the room’s dominant glow turning pink.

We’ve met. He’s a nice man. You’re lucky. Tell you what, I’m going to explain what’s going on so you can relax. The sooner you relax the sooner we can finish. If things go well, we’ll give you back your clothes and take you home. How’s that sound? 8P5 said.

OK.

Good. Our tech support agents have hooked you up to a machine that combines internal acupuncture, string theory and quantum mechanics, as well as your body’s natural energies to emit light relating to whatever power center, or chakra, is dominant in your body at any given moment. That makes the room’s light something of a mood ring. Remember those? And it’s also something like a lie detector test, but better. This apparatus allows us to gauge your being’s overall responses to our questions, giving us a more nuanced view of your answers. We actually feel what you feel by using it. We call it an electroempathy spectrometer. We’re looking for the overall vibrational patterns of your soul. Do you understand?

Linda’s head spun with shifting colors. She closed her eyes and took three four-second breaths through her nose, exhaling for seven seconds through her mouth each time, and slowly opened her eyes.

Light yellow was now the predominant color.

Yes, I understand. But I don’t know why I’ve been selected. I don’t know anything, she said.

I’ll be the judge of that. You might be surprised. Are you ready?

Yes.

Linda continued her breathing exercise, feeling best in yellow light.

Do you know a man named Ziggy? 8P5 said.

No. I don’t know anybody by that name. It’s a funny name, said Linda, the light shifting from yellow toward violet.

How many times have you had contact with him?

I told you, I’ve never heard of anyone by that name.

The room’s light danced from lime green to pasty pink.

Do you go by any aliases? Irene or Patty?

Why would I?

The room is now pink, similar to what one sees under one’s eyelids in a well-lit stadium at dusk.

Do you know a Carlos Castaneda?

My father went by that name, but I haven’t seen him in years. There’s a man by that name in our apartment building, but he’s not my father. Maybe that’s what this is all about. Is he the man you’re looking for? Did he take Jenna?

Now, imagine rubbing those eyelids, and seeing an electric green circle with floating blue neon squares.

What’s your relationship with Jonah like? Does he manipulate you? Is he demanding?

Electric green now morphing into yellow.

No, he’s a good husband. A bit stressed out. But he tries hard. Too hard. He gets delusions of grandeur. But he’s older than me, somewhat ideal for a woman of my temperament. And he’s an actor and I write plays. We’ve been saving money to get to Chicago.

And the light changed course from an intensifying yellow to a darkening orange.

Is it possible, asked 8P5, that Castaneda could really be your father? It’s been a long time.

And the light, shifting again, now becoming more violet, red replacing yellow.

I don’t know, said Linda, pausing. I doubt it, but anything’s possible.

The questioning ended in violet and 8P5 turned off the machine. In the instant of darkness before she turned on the light, Linda began to suspect her husband of something. When the light came on, Linda was convinced Jonah had fooled her. He was an actor after all. He played her. For an instant, she imagined the room pulsating yellow-orange-red, a flaming blob of vengeance.

Chuck Richardson

Friday, March 27, 2009

Myth & Theory: Babbling, Procrastination & Babel

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